Oralidad, escritura, performance y erotismo en la poesía de Roxana Miranda Rupailaf: tradición y ruptura en la escritura de mujeres
Abstract
The present article analizes orality, writing, performance of sexual differenceand eroticism in the poetry of Roxana Miranda Rupailaf. Historically
women´s writing has been marginalized and devalued. This has been so, in
part due to the problematic relationship between gender identiy, orality and
writing and the public sphere. The historical, political and methodological
challenges posed by the authors poetics will be analyzed through the poems
Seducción de los venenos y Serpientes de sal. How should one read poetry
that has been written from such a transgressive and liminal locus? How
can one understand the voluptuosity of the erotic voice and body that performs
the poetic magic in the autors texts? This article seeks to create a methodological
stage for the appreciative reading of Roxana Miranda Rupailaf’s poetry as
a performative event in which cultural and politics converge.
